Wednesday , January 27 2021

Revision of the exhibition of the Jind finalich Chalupecký 2018 Award finalists at the Prague Trade Fair

Never again, the finalists' exhibition in the twenty-nine-year history of the Jind fazlaich Chalupecký Award was incomplete, and at the same time, he didn't say so much.

Five young writers and three authors present themselves with space facilities where they prepare performances such as rehearsal programs. Or two years later the Chalupeckého Prize is once again the National Gallery, which hosts the Veletržní Palace in Prague, the final or another one.

Jindrich Chalupecky Community Director Karina Kottová, five candidates Alžblerta Bačíková, Lukáš Hofmann, Tomáš Kajánk, Kateáina Olivová and Adéle Součková, "Each of the finalists express their political or social engagement," he says.

The National Gallery once again rebuilt the Corza, a place behind the glass wall in front of the Veletržní Palace. And just look at the street to clarify that the final show will be cleared.

True and authentic

Katerina Olivova, in her showcase, was moving on a glass wall, a lifelong giant magnitude. It is a reference to dozens of actions found in the National Gallery, as well as the unusual body, self-esteem, and the pseudo-body that is interspersed with gilding. Unlike the paintings of famous painters and sculptors, Olive's action was definitely not matched. Not particularly attractive, but true, authentic.

Contrast is seen in another piece of olive that is exposed in video performance. A graduate of the Body Design Studio in Brno, the 19th century National Gallery exhibition, she claims to be naked, promising, overwhelmed, or interested in naked paintings and sculptures. When he touches a gesture of action, he begins to stylize himself in the pose. His weird pursuit is hilarious and depicts transcendence and cramps in the formative creation, which is particularly high in the academy of the last century.

Olivová adds another video to the emergence of Eugene Brikcius, 1970's. Brikcius and his friends passed transitions. Oliver repeated his children with a group of parents and children, especially at complex, construction-limited junctions.

The same artist also established a children's corner and will organize babysitting during the exhibition. There are other activities for the public.

Visit the concept

In addition, the second of the finalists, Lukas Hofmann, a part of the main gallery was dedicated to. In the permanent exhibition on the 4th floor of the Trade Fair Palace, he placed the video and borrowed the Baroque painter Matyáš Braun from the facade of the Magnificent Son's statue.

The youngest of the finalists of the Chalupecký Award, a 25-year-old student at the Academy of Fine Arts, Prague, said "Identity can be analyzed psychoanalytically." The old statue was surrounded by other objects. And unless the installation takes place on December 15th, it's claimed to be half of the installation, what we're going to watch now.

A transparent structure cover usually hangs from the ceiling covering the scaffold. Hofmann loves the semi-permeability of the material, separates his space from the rest of the exhibition and the rest of the world, but also infiltrates it. Bir The development of the performance I used to use this network, and the night we played with my friend, and then – because they were white – we made them a wedding performance, kullanmak he explains.

One of the walls of the Veletržní Palace was closed by Lukáš Hofmann climbing sleeves; however, there are odd shapes that resemble exposed human muscles or, for example, an intestinal bundle. There are also fine amorphous sculptures of the glass. "I call them Crack Pipes, they were created in collaboration with glass manufacturers from Nový Bor", adding an artist who puts orange bags to collect sequential waste. Ediy But the meaning is recycling according to cyclicity, not waste, – says Lukas Hofmann.

It then skips to the last part of your installation. These are 3D glasses with eleven-minute performance: dream images of strange interiors inhabited by young melancholy people. . It's a small object that can swell if the viewer puts it on his head and lets him swallow, Hof says Hofmann.

Jurta connected to the wall

A complex installation with many connections was created by Adéla Součková. The courtyard with a printed blue canvas stands in the middle of the exhibition, the Czech people and their readings are heard. Ur My motto is what my thoughts are about. Most of the time, I feel that my thoughts are partly social and culturally conditioned. ”She is an artist who draws the house as a shaman's house with primitive characters and symbols.

One of the numbers on a tablecloth hanging on a low table inside the tent has internal parts that are drawn out of the body. Others, Součková, drew more of his eyes than his head. "The world is not just an eye," says the author. "I work in animism in Indonesia in the spring and the many things I learned were similar to what I know from Central Slovakia, where I was mostly in childhood, and life was about landscape," he says. unexpected parallel. So he needed a European-Indonesian experience to research closely.

Součková chose a number of Czech folk songs, which he said by a singer Jana Jonáková at the age of seventy. Lar These songs are beautiful and poetic, but mostly they describe the life I don't want to live. It is limited and free for social norms that are dictated to a person and cannot be independent of them. Bir

The female voice among the songs reads the rhythmic text. M It's about getting rid of social contracts, ”says a writer who thinks citizens are the place to go leyic from the onset of physical presence“.

This must have been an event where viewers formed human organs from clay and then returned symbolically to the drawn body in the middle of the country. Součková, who graduated from the Painting Academy of the Academy of Fine Arts in Prague, is preparing two ceremonies on November 24 and December 16. From Veletržní Palace to Vltava, they will stand on the Letenská wall, which they have exhibited for years. In December, there will appear the work Součkové, which is thematically linked to the theme in the Veletržní Palace.

Sound in a room, the second image

The last two finalists of the Chalupec Prize, Alžb -ta Bačíková and Tomáš Kajánek were presented as audiovisual works. But the similarity ends with the chipboard projection rooms – each creative person occupied one.

A graduate of the Faculty of Fine Arts in Brno, Bačíková participates in documentary film science, but rather in audiovisual form. Although this is not clear at first, it is clear that the approach to film is different and that it explores the essence and manipulation possibilities of the film.

The projections in the Trade Fair are obvious now. Elizabeth Bačík's film discovered the possibility of accessing blindness and deafness. . The artist who translated in a different way, var he says, ları I have commercialized ways of translating it into translations, audio-movie descriptions, or sign language, "he says.

A fifteen-minute session called the meeting worked with Blind Teresa and deaf Mace. They are not only in the film but also in the concept and scenario. In the last photograph, both young people meet in the cafe, talk, walk together, dance, go to the cinema.

The common purpose of similar projects is not that people with disabilities can find ways to communicate. Bačík's film was divided into two: only the sound works in one room, and only the picture in the other. This is an amazing experience, always missing, but a safe mantine of the movie.

Tomáš Kajánek's projections, on the contrary, are harsh and uncomfortable. An artist who does not mention her work at the Academy of Fine Arts, but rather emphasizes working in a self-organizing Atelier without a Leader team, works with the Internet. It contains shocking examples of pathological tendencies.

These are only available when the author exits the digital stream of the Internet and opens them up in the gallery. Recently, for example Kajánek exhibited his functional firearm in a 3D printer based on data downloaded from the Internet. However, the gun coming out of the printer is not subject to any control measures as with ordinary guns.

For the last show, Kayanek chose two shared videos on YouTube. First, more than forty minutes ago, it became a virus that did not aim to be shared. When traveling by car, the two girls were in flow with a friend, but ended up with a long video conversation misfortune. The driver hit the noise barrier. The mobile phone did not shoot for a long time even before the rescue teams were recovered and the wounded were transported to the hospital. One of the girls didn't survive the accident.

Registration came to the internet and someone took even with subtitles in English. It was the most common Czech video of last year.

The second video of the artist from YouTube is now destined for the opposite. The anonymous author drew dozens of violence from television news and intertwined movies with popular music videos. In his opinion, he created a brochure for people to stop wars bir in this sense he wrote the appropriate text in his video. However, this cannot be read because of very fast movie editing.

"These videos are linked," says Tomáš Kajánek. Eder It is interesting to note that the material that is not planned to be broadcasted appears several million times and represents the Czech Republic, it is a video story of last year's export image, and the second is a video story that works with the effect of the pictures we have been exposed to. 39;

Already 13.11. We are opening the exhibition of the Jindorich Chalupecký Award 2018 as the opening / opening of the Prague National Gallery. Take a special video invitation by Alžb birta Bačíková (Bibi Bičenko), one of the finalists of this year, and come to the opening. Looking forward!

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Finalists of the Jind varich Chalupecký Award Exhibition also have a foreign guest this year. Romanian artist and choreographer Alexandra Pirici, who will present her project Fragile Instruments on 25 November at the Palace of Trade at a time between 14:00 and 18:00.

With the bodies of a group of artists, the palace houses a number of historical moments, such as the execution of the Romanian Communist President Ceausescu and his wife. For example, in 1968, Alexander Dubcek returned to Moscow from Düsseldorf. He wrote a piece about a performance in St. Petersburg or Berlin.

The Jindcakich Chalupecký Award for this year's International Jury Award winner will be held on December 17th, and the finalist exhibition will be held until January 6th.

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