Sunday , September 25 2022

Hugues Dayez's critics "Kursk", a Russian tragedy with Matthias Schoenaerts


On August 12, 2000 an explosion occurred in the Russian nuclear submarine "Kursk". The prisoners of the ship, trapped at the bottom of the Barents Sea, will fight for the survival of twenty-three sailors …


The Kursk tragedy then moved the international community. Because very quickly, the human tragedy turned into a political scandal. When the Russian army experienced obvious difficulties with rescue equipment, other bodies, such as the Royal Navy, still wanted to help save lives. However, it was only a step to have enough means to rescue, but the proud reservations of the Russian General Staff had to be overcome …

Matthias Schoenaerts had the idea to propose the script of the film to Danish filmmaker Thomas Vinterberg (the two men became very guilty at the time of the British classic Thomas away from the crazy crown öner after Thomas Hardy). The directors of "Festen" and "The Hunt" try to reconstruct the different dramas played at the same time: of course, move quickly on the mainland, where the submarines are also the officials of the sailors' families. The most successful part of the film is probably for the role of the naval officer (Colin Firth, impeccable) of the diplomatic war and the Russian high-ranking officer (Max von Sydow, shortly after 90's and clearly) between the years of his role. On the other hand, the weakest part – the most understood – is the family aspect: see. Léa Seydoux, the brave woman of the Russian sailor, worried and proverb, for ridiculed borders …

The problem is that Vinterberg struggles to bring consistency and dramatic fluidity to this great patchwork. Because "Kursk" looks like a "Europudding", a great European film that brings together producers from different countries who have every "vision" of the film to achieve a great budget. casting call. A "Europudding" is a film in which actors from all over Europe have played in "basic English" dialogues that will dub every other language. The result: see the Belgian Schoenaerts, the Swedish Seydoux, and the Austrian Peter Simonischek (revealed in "Toni Erdmann"), try something in the English Russian heroes, somehow, it doesn't work. And Vinterberg may call the Soviet folklore and orthodox songs to make a ılar local color Ve, and ultimately remain shaky. Probably he will need the production and virtuosity of Paul Greengrass to make the tragedy of Kursk a great film. Here, alas, we are far away from him.

Impossible love

In late 1950, Sarah, a young secretary from the French state of Châteauroux, fell in love with Philippe, a translator of a good family. Idil was born very quickly, Philippe told Sarah not to marry, especially with such a modest daughter. Sarah gets pregnant and raised the child alone, Chantal. Philippe leaves Châteauroux to Paris, and the mother and daughter visit from time to time. Each time Sarah touches the nail; he just wants something: he knows Philip's daughter, the "unknown father" is not born. A tiring war over the years …

Dır An impossible love bir is an adaptation of Christine Angéot's autobiographical novel by Catherine Corsini. The film respects the narrative in the first person; The story of her parents, Chantal. Virginie Efira, a great admirer of the novel, does not intend to embody the merry physics at first, however, the life of this frustrated woman who spends her life encompassing the emotions behind an attitude, although she exhibits all of her persuasive powers to win the role of Sarah. dignified and dry. On the screen, Niels Schneider, whose partner role, does not harm Philippe's role again. Friction is on the side of young actresses of different ages; None of the characters have enough drama and dramatic intensity. This is unfortunate because in the second part of the film, the role of Chantal becomes very important.

Happy as Lazzaro (Lazzaro felice)

Lazzaro is the "idiot of the village" in a small Italian hamlet away from civilization. The inhabitants, under ignorance, have fallen under a Marquise finger that benefited from them. Lazzaro is good and there is no evil; One summer, he becomes friends with Marquise's son … A friendship, like magic, changes times: Lazzaro ends up in the suburbs of a modern metropolis and spreads the joy of living close by. A family of the Fourth World …

"Lazzaro Felice" competed in Cannes; won the film script award. Italian director Alice Rohrwacher won the jury Grand Prix with her previous film "Les merveilles". In other words, it is popular in the Croisette. And this is a thick mystery. For a part of criticism, his cinema is an intensely poetic one, and for the other – which I am part of, you will understand – it is an assertive nuisance. What's more, Rohrwacher filmed Super 16, which gave his films a poor look. "Lazzaro Felice" weakly lit, weakly framed, poorly filmed, the fantastic analogy of the film is stupid and boring. Such an accusation has a name: it is called intellectual terrorism.


Yves Saint-Laurent was nicknamed "The Little Prince Fashion". Alexander McQueen was called "enfant horrible". This little guy from the East End, the son of a taxi driver, quickly climbed the ladder: he learned to tailor Savile Row, built his own collections with free and recycled materials, in improbable places, in Isabella Blow, England. fashion is mentioned by popping. He was then hired by businessman Bernard Arnault to give a facelift to Givenchy in Paris. It turns into rich, paranoid and cocaine … After the Parisian adventure, the development of its own brand "McQueen" is famous all over the world, but it is more and more lonely and depressed … Until you commit suicide, 40 years old, February 11, 2010.

This journey – unfortunately, is a reality in the documentaries of the so-called Ian Bonhôte and Peter Ettedgui, which are very common in the show business. You don't have to be a fashion expert to understand the non-traditional shock that McQueen has created with the garbage universe. The footage of the archives and the expressions of all relatives allow the directors to shape a rich portrait of the character. The film is so bad that Michael Nyman abuses head music and sometimes pours into a useless visual coquetry to actually support the creations of stylists who are enough on their own … But the film is still interesting.

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